“...Peter Zombola’s obsessive Sextet fixated upon harmonies that it reiterated, sometimes brashly, sometimes in a more subdued fashion. Particularly effective was a moment in which it seemed that the strings and winds would lead the ensemble into different harmonic territory, only to have everyone come crashing down once again onto the obsessed-over notes...”
Ted Goldman
eredeti cikk: http://www.juilliard.edu/journal/2007-2008/0712/articles/0712_Danube.html
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